Governing network evolution in the quest for identity

This paper provides a managerial account of network governance by exploring how initially non-powerful agents, driven by the quest for distinctive identity, shape the governance of their networks over time. The research design is that of a longitudinal comparative case study of the trajectories of three renowned, Oscar-winning Spanish filmmakers. It scrutinizes data coming from original interviews, as well as from multiple secondary data sources, in order to illustrate the propositions advanced. The paper's contribution is sought: 1) in proposing a micro-level framework for systematic thinking about network governance evolution, distinguishing four dimensions (co-governance, structure, strategy, and pace) and their respective sub-categories; 2) in advancing three peculiar identity profiles with different implications for the evolution of network governance (i.e., a maverick, an integrated professional, and a broker); 3) in bringing together two bodies of literature that have not conversed frequently (i.e., network governance and identity) in a largely overlooked cultural and historical context, that of Spain after the transition to democracy in 1975.Network governance; Management

Forms of organizing: What is new and why?

This paper aims to further our understanding of new forms of organizing by asking and answering two related questions: What is new in forms of organizing? and Why is it so? It starts by examining the main forces that lead to the emergence and diffusion of new organizational arrangements, distinguishing between objective and subjective factors and pointing out the interplay between the two. Elaborating on these two groups of factors, the paper introduces two dimensions ‹flexibility and openness‹ on which a contingency analysis of new forms of organizing and a classification are built. Flexibility is associated with the question «How fast does the organization as a whole have to learn?», while openness is intended to measure the need for knowledge integration and the location of relevant knowledge. Having outlined the main trends in the development of organizational arrangements, the paper looks at some of the implications. The use of information and communication technologies, knowledge management, changes in human resource practices and social contract, and changes in management roles and careers are all seen as consequences of a new quest for openness and flexibility. All these considerations lead to the conclusion that, nowadays, changes in organizational patterns are radical, calling for a paradigm change that will facilitate, in a holistic manner, the adjustments that are needed in order to build and manage these organizations. Like any paradigm change, this requires a change in the mindset of the agents involved, especially the decision-makers.new forms of organizing; new organizational arrangements;

Entrepreneurs' transitions from corporate life to own ventures : leveraging human capital and social capital to establish new businesses

This thesis explores the phenomenon of individuals leaving management careers in large corporations and establishing their own new ventures. Although the "corporate leaver" entrepreneur story enjoys frequent coverage in the popular press, there is little extant academic research on these individuals and their entrepreneurial process. Particularly lacking is an understanding of how the entrepreneurs make use of their past experiences. This study explores how entrepreneurs leverage human capital and social capital from previous work experiences when starting their own ventures. This dissertation is based on the results of an exploratory study and a main study, both of which were classified using Nvivo software. The exploratory study consists of interviews with six male/female entrepreneur pairs matched by management level and industry sector of previous employment. The exploratory study identifies the entrepreneurs' human capital and bridging and bonding social capital as well as feelings about previous work experience, motivations to start a new venture and family commitments. The main study is based on interviews with 24 entrepreneurs (twelve male, twelve female) who recently left management positions in financial services firms to establish their own businesses. The main study extends the exploratory study by unpacking the transfer of human capital in the form of knowledge creation and the transfer of bonding and bridging social capital. The research offers a number of theoretical, empirical, methodological and practical contributions to the field. At a theoretical level, this research confirms the usefulness of human capital and social capital for examining entrepreneurs' transfer from corporate. An analysis of the main study interviews reveals that the transfer of tacit and explicit knowledge from past work experience to the new venture can be mapped to Nonaka's knowledge creation framework. Third, the research highlights the application of structural, relational and cognitive dimensions of social capital to the former corporate entrepreneurs' social networks. A typology of the degree of transferability of human capital and social capital from previous work experiences is suggested, and eight case studies illustrate the four types: applicators, exploiters, networkers and re-inventors. The thesis offers empirical evidence in the form of entrepreneurs' self-reported human capital and social capital. Entrepreneurs' human capital is classified in terms of education, family background, and industry, management, business development and start-up experience. Entrepreneurs' social capital is organised by bonding (e. g. partners, mentors) and bridging relationships. The results indicate some differences between male and female entrepreneurs in terms of gender homophily of social networks. A framework for analysing the transfer of human capital and social capital from past experience is developed. There is empirical evidence both of knowledge and networks which the entrepreneurs report as transferring to the new venture, and those which do not. Entrepreneurs' creation of new knowledge from past work experience and transfer to the new venture can be classified by Nonaka's socialisation, externalisation, combination and internalisation types. In terms of social capital, entrepreneurs report transferring relationships from past work experiences which have structural, relational and cognitive embeddedness. At the methodological level, the rich, qualitative nature of this research enables new insights into the transition from corporate to own ventures. Entrepreneurs' language is used to measure relational, structural and cognitive embeddedness. The thesis offers knowledge of practice. The phenomenon of individuals leaving corporate management careers to start own ventures, particularly in the financial services industry, is examined and explored. Implications for managers interested in leaving corporate to start their own ventures are offered, as are suggestions for corporations interested in retaining these employees. A typology of former corporate entrepreneurs by human capital and social capital transfer is developed. Authenticity- seeking motives are uncovered in the rhetoric of individuals who start new ventures in new industries.EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Untangling the Impact of European Premier Film Festivals

This study seeks to untangle the impact of film festivals on the conception and action of industry actors. This study puts forward the argument that film festivals, seen as instances of tournament rituals and field configuring events, play a role in bridging art and commerce. It examines three instances of a particular tournament ritual, that of the three leading European premier film festivals, namely the Cannes Film Festival, the Berlin Film Festival, and the Venice International Film Festival, to untangle their role as mediators between art and commerce and their impact on the artistic classification system of the cinema field. For the purpose, it uses admissions data from 36 European countries for the period of 1996 to 2005. It examines the impact of festival participation and awards on admissions, and further artistic recognition at award ceremonies in the US. Based on the results of our study we argue that, similarly to the classification of art forms, there is a status ordering of tournament rituals (i.e. film festivals) with regard to their ability to act as a nexus of dichotomous categories for a particular cultural form (i.e. art and commerce in the case of film)

Much Ado about Nothing? Untangling the Impact of European Premier Film Festivals

This study seeks to untangle the impact of film festivals on the conception and action of industry actors. This study puts forward the argument that film festivals, seen as instances of tournament rituals and field configuring events, play a role in bridging art and commerce. It examines three instances of a particular tournament ritual, that of the three leading European premier film festivals, namely the Cannes Film Festival, the Berlin Film Festival, and the Venice International Film Festival, to untangle their role as mediators between art and commerce and their impact on the artistic classification system of the cinema field. For the purpose, it uses admissions data from 36 European countries for the period of 1996 to 2005. It examines the impact of festival participation and awards on admissions, and further artistic recognition at award ceremonies in the US. Based on the results of our study we argue that, similarly to the classification of art forms, there is a status ordering of tournament rituals (i.e. film festivals) with regard to their ability to act as a nexus of dichotomous categories for a particular cultural form (i.e. art and commerce in the case of film)

towards optimal distinctivenes in European film making

Abstract. This paper advances a micro theory of creative action by examining how distinctive artists shield their idiosyncratic styles from the isomorphic pressures of a field. It draws on the cases of three internationally recognized, distinctive European film directors - Pedro Almodóvar (Spain), Nanni Moretti (Italy) and Lars von Trier (Denmark). We argue that in a cinema field, artistic pressures for distinctiveness along with business pressures for profits drive filmmakers’ quest for optimal distinctiveness. This quest seeks both exclusive, unique style and inclusive, audience-appealing artwork with legitimacy in the field. Our theory of creative action for optimal distinctiveness suggests that film directors increase their control by personally consolidating artistic and production roles, by forming close partnership with committed producer, and by establishing own production company. Ironically, to escape the iron cage of local cinema fields, film directors increasingly control the coupling of art and business, hence forging their own "iron cage". "[T]he unusual and paradoxical place that Pedro [Almodóvar] has been able to find: we are within the industry but we preserve our peculiarity." (Agustín Almodóvar, 2001). Optimal distinctiveness: "social identity is viewed as reconciliation of opposing needs for assimilation and differentiation from others." (Marilynn Brewer, 1991)

Towards an articulation of the material and visual turn in organization studies

International audienceContemporary organizations increasingly rely on images, logos, videos, building materials, graphic andproduct design, and a range of other material and visual artifacts to compete, communicate, form identityand organize their activities. This Special Issue focuses on materiality and visuality in the course of objectifyingand reacting to novel ideas, and, more broadly, contributes to organizational theory by articulating theemergent contours of a material and visual turn in the study of organizations. In this Introduction, weprovide an overview of research on materiality and visuality. Drawing on the articles in the special issue, wefurther explore the affordances and limits of the material and visual dimensions of organizing in relation tonovelty. We conclude by pointing out theoretical avenues for advancing multimodal research, and discusssome of the ethical, pragmatic and identity-related challenges that a material and visual turn could pose fororganizational research

'The Path with the Heart': Creating the Authentic Career

This study contributes to the stream of boundaryless career research by detailing a theory of authenticity-driven career creation. The perspective developed here is grounded in an in-depth case study of the trajectory of a creative individual who has followed a very personal career path, remaining true to his creative calling. With authenticity work I denote the set of actions and interactions, which the creative individual undertakes to achieve a distinctive and true-to-self identity and image over time and across audiences. The study reveals that authenticity work is in the duality of identity expression and image manufacturing. Furthermore, it has some elements that are consistent over time and others that keep changing. I identify four stages through which authenticity plays a role in career creation: exploring aspects of multifaceted identity and image; narrowing down and focusing the identity expression and image manufacturing; enhancing one's control over the creative and business aspects of the artwork, and finally, a quest for professionalism. These stages are labelled exploration, focus, independence, and professionalism, respectively. They are embedded in a structural context that enables and constrains authenticity work. The resolution of the constraints by the creative individuals pushes their careers forward. Copyright Blackwell Publishing Ltd 2005.